The grandest of grand operas, a brilliant balance of spectacular pageantry and emotional intimacy, returns to San Francisco Opera for the first time in nearly a decade. A bitter love triangle plays itself out against a backdrop of war and cultural oppression in this compelling tale of conflicting loyalties and forbidden passion.
Music Director Nicola Luisotti, the Company’s "ideal new maestro" (The New York Times), leads the first of two extraordinary casts in an "eye-popping production" (Houston Chronicle) created by legendary British fashion designer Zandra Rhodes.
The September cast features soprano Micaela Carosi, "a noble, full-hearted diva of considerable power" (The Times of London) in the title role, along with Marcello Giordani, "arguably the greatest leading tenor of his generation" (Opera News) and mezzo-soprano Dolora Zajick, who is "unequaled in major Verdi roles" (Washington Post). Baritone Marco Vratogna, whose “striking infusion of vocal power and theatrical electricity” as Iago (San Francisco Chronicle) thrilled San Francisco audiences in 2009’s Otello, sings Amonasro. Bass Hao Jiang Tian sings Ramfis, returning to San Francisco Opera after his triumphant debut as Chang the Coffin Maker in The Bonesetter’s Daughter (2008).
The November cast is led by Michele Capalbo, "a world-class Aida, passionate, subtle and vocally satisfying" (Opera News); tenor Carlo Ventre, a riveting performer who projects "unalloyed passion" (Washington Post); baritone Quinn Kelsey, who "boasts a rare and welcome gift, an enormous vocal sound that he deploys with the lightness of an acrobat" (San Francisco Chronicle); and bass Eric Owens who sang to sold-out crowds as Porgy in Porgy and Bess (2009).
The grandest of grand operas, a brilliant balance of spectacular pageantry and emotional intimacy, returns to San Francisco Opera for the first time in nearly a decade. A bitter love triangle plays itself out against a backdrop of war and cultural oppression in this compelling tale of conflicting loyalties and forbidden passion.
Music Director Nicola Luisotti, the Company’s "ideal new maestro" (The New York Times), leads the first of two extraordinary casts in an "eye-popping production" (Houston Chronicle) created by legendary British fashion designer Zandra Rhodes.
The September cast features soprano Micaela Carosi, "a noble, full-hearted diva of considerable power" (The Times of London) in the title role, along with Marcello Giordani, "arguably the greatest leading tenor of his generation" (Opera News) and mezzo-soprano Dolora Zajick, who is "unequaled in major Verdi roles" (Washington Post). Baritone Marco Vratogna, whose “striking infusion of vocal power and theatrical electricity” as Iago (San Francisco Chronicle) thrilled San Francisco audiences in 2009’s Otello, sings Amonasro. Bass Hao Jiang Tian sings Ramfis, returning to San Francisco Opera after his triumphant debut as Chang the Coffin Maker in The Bonesetter’s Daughter (2008).
The November cast is led by Michele Capalbo, "a world-class Aida, passionate, subtle and vocally satisfying" (Opera News); tenor Carlo Ventre, a riveting performer who projects "unalloyed passion" (Washington Post); baritone Quinn Kelsey, who "boasts a rare and welcome gift, an enormous vocal sound that he deploys with the lightness of an acrobat" (San Francisco Chronicle); and bass Eric Owens who sang to sold-out crowds as Porgy in Porgy and Bess (2009).
Radames, a captain of the guard, is in love with Aida, a slave girl. Aida’s mistress, the King of Egypt’s daughter, Amneris, is also in love with the captain. Not known by anyone in Egypt, Aida is a princess of Ethiopia and the daughter of Egypt’s worst enemy, King Amonasro.
ACT I
Ramfis, the High Priest, is on his way to inform the Egyptian King of the name of the general whom to goddess Isis has chosen to lead the Egyptians against the Ethiopians. Radames hopes to be chosen and, envisioning a glorious victory, expresses his affection for Aida. Amneris joins him. As she is questioning him, Aida enters. Noting that Radames is strongly affected by the appearance of Aida, Amneris suspects the reason for his embarrassment and is overcome with jealousy. Accompanied by his ministers, the King enters. A messenger is brought forward and reports confirmation of the Ethiopian invasion. Radames is announced as the chosen commander to lead the Egyptians against the enemy. Everyone pays homage to the young warrior and wishes for his victorious return. Aida, too, is caught up in the battle cry, and after the court leaves, berates herself for having betrayed her own people. Divided between loyalty to her father and country and her love for Radames, she asks the gods for strength.
In the Temple, a solemn ceremony is held to prepare Radames for battle. He is presented with the sacred sword of Egypt.
ACT II
The Egyptian troops led by Radames have won the war. Amneris, still tormented by doubt and jealousy, resolves to question Aida and confirm her suspicions. Amneris manages to shake Aida’s composure and forces her to reveal her love for Radames. Amneris is furious and shaken by the truth.
The people celebrate the return of the victorious troops and their leader Radames, who asks that the Ethiopian prisoners be brought forth. Among them, Aida recognizes her father. Hiding his true identity, Amonasro pleads for the lives of his people. The Egyptian King accedes to Radames’s wish that the prisoners be set free. Ramfis, warning of the consequences, succeeds in having Aida and her father retained as hostages. In token of Egypt’s gratitude, the King awards Radames the hand of Amneris.
ACT III
To prepare for her wedding to Radames, Amneris retires to the Temple of Isis to worship with Ramfis. Outside the Temple, Aida waits for Radames. Having given up on her own happiness, she recalls her childhood in the valleys of Ethiopia. Amonasro joins her and raises her hopes for a happy life at the side of her beloved. The Ethiopian captives who were freed are banded together and once again ready themselves to attack Egypt. Hoping to exploit Aida’s love for Radames, Amonasro proposes that she ask Radames the route the Egyptian armies will take. At first Aida refuses, but Amonasro soon crushes her resistance. Amonasro hides as Radames appears, still affirming his love for Aida and hoping another victory will allow him to win her once and for all. Aida does not share his enthusiasm and instead persuades him to flee the country with her. As they start to leave, Aida asks which route the Egyptian troops will take. As Radames answers her, Amonasro reveals himself and Radames realizes he has been tricked into revealing an important military secret. As Amneris and Ramfis emerge from the Temple, Amonasro and Aida flee and Radames surrenders to the High Priest, ready to accept the consequences of his betrayal.
Amneris, torn between love and hatred for Radames, at last resolves to save him. She urges him to defend himself, but he refuses. The priests assemble and three times allow Radames a chance to present his defense. Three times he refuses and is sentenced to die. Amneris pleads with the priests to revoke the sentence.
In the darkness of a tomb, Radames is joined by Aida who had hidden there earlier. While the priests chant their hymns, the two lovers, at last united, spend their final moments dreaming of a happier life. Above the tomb, Amneris asks forgiveness for her rancor and prays to Isis for redemption.
- Approximate running time: 3 hours including one intermission
- Sung in Italian with English supertitles
- Co-production with Houston Grand Opera, English National Opera and Norwegian National Opera
- This production is made possible, in part, by Opening Weekend Grand Sponsor Diane B. Wilsey and by United Airlines.
- Production photo: Tristram Kenton
- Cast, program, prices and schedule are subject to change
- OperaVision for performances on September 16, 19 and 24 is in simulcast aspect ratio (widescreen format).
High-definition video projection screens will be featured on the balcony level for this performance. Learn more
